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Dead of Night

The stalker slithered through the dry brush behind the wall of the gray stucco house in Highland Park, five miles and many worlds away from the spires of downtown Los Angeles. He crouched behind a boxwood hedge, nauseated by the smell of fried tortillas wafting from a nearby kitchen. The odor of cheap, burnt oil reminded him of his childhood, when his mother earned a miserable living selling codfish fritters at a roadside stand in South Florida and he promised himself he’d do whatever it took to avoid her stinking, sorry life.

Through a window he could see the ramshackle dining room of the house next to his hiding place. At the head of the table a pot-bellied Mexican in a t-shirt alternately sipped a beer and pecked at his enchiladas, surrounded by a brood of hyperactive children in diapers and soiled pyjamas who would take turns to come sit in his lap.

Damn snotty kids should be in bed by now.

The stalker looked up at the sliver of yellow moon floating above the downtown skyscrapers. He stared hard, praying to almighty Oyá, to the great Shangó and above all, to Ochosí, the magnificent hunter who was the saint of his devotion, to grant him the cover of darkness. His prayers were answered as a shimmer of low clouds drifted out of the Pacific and put out the moon. Then, with feline grace, the stalker vaulted over the six foot tall masonry wall of the gray stucco house and landed silently in the yard of his intended victim.

Praise

Amazon.com
Alex Abella’s first book about Cuban American private eye turned lawyer Charlie Morell, The Killing of the Saints, got some fine notice for its vivid writing and its unusual setting–the small but lively Cuban American subculture in Los Angeles. The mysteries and rituals of the religion known as santeria play a large part in this new story, as Morell searches for the murderer of his friend, Armando, who first got him interested in the subject. “We’re not all like Ramon Valdez, Charlie,” Armando says about the villain of the first book. “He was a devil worshipper. We follow the path of the light. You should come see us sometime.” As Morell tells us, “with those simple words Armando opened the door to my own forgiveness. No, I did not find salvation at the foot of some ridiculous idol, nor did I pledge my soul to an imp from the African forest…. I came to see that in its theological complexity, hierarchical subtleties and accumulated wisdom, santeria was as passionate and stirring as the ancient Greco-Roman myths, as enlightening as the unfolding monads of Hinduism.” Charlie–called “the voodoo counselor” by a sarcastic cop–will need all the enlightenment he can muster as he discovers that the brutal killer has made him his next target. Amidst all the local color and considerable bloodletting, Abella proves that he also knows how to deliver a suspenseful mystery.
-Dick Adler